Showing posts with label Csound. Show all posts
Showing posts with label Csound. Show all posts

Thursday, October 20, 2011

Csound for Live Masters Volumes 1 Review

A few days ago I posted about the new "Csound for Live" instruments from Dr. Richard Boulanger and company. After some time with them, I thought I would do a brief review of these great FREE tools which can expand your Live performance setup immensely. Today I will cover the instruments in the Masters Volume 1, a powerful package of 6 unique instruments and effects. These instruments are designed to run inside of Ableton "Live" (specifically inside an add-on package/bridge application with Cycling 74's "Max/MSP" calling "Max for Live") and will only work in that configuration.

Masters Volume 1-

Additive10




The Additive 10 is a spacey, wobbly additive synthesizer created by Iain McCurdy. This synth has got some very cool functions, like the Partial Amplitude mixer (for control of each of the first 10 partials) and the corresponding Partial "Spacing" knob (which controls the distance of the partials from one another). When you start playing with these controls you realize just how powerful they are. A beautiful clean pad lead can become a dark soundscape very easily with these simple tools.

Additive also features a handy low pass filter with envelope controls and a simple LFO with an "onset" knob. This is a great synth, I could see it being very popular with the glitch-hop scene.

AlgoSplice



Oh yeah! The first effect in the Masters Volume 1 is a doozy. AlgoSplice is basically a buffer slicer effect, taking input audio, and then chopping it up in time depending on certain user-defined parameters. It is a very simple device, but its usefulness should not be ignored. There is an added "reverse" function also, that offers realtime reverse audio of the incoming signal.

BeatMangler



This is another audio slicing effect, but this time you have to load your audio clip into the instrument itself. This offers a whole other range of controls, but loses the tempo-based functionality of the previous tool. Because the sample is loaded into the plugin, you do not have host based tempo control, making this a more free-wheeling approach to audio slicing and chopping. This makes more sense in BeatMangler, because it creates much glitch-ier sounding of an output. A wild tool, no question about it.

SimpleGranular



SimpleGranular follows a similar principle as the BeatMangler, but it simply controls the grain rate and size, and playback speed of whatever sample is loaded into the buffer. An eccentric tool, but great for dark and noise sound design and experimenting with sonic deconstruction...

SpectralMincer



The SpectralMincer is a sort of combination of the SimpleGranular and the BeatMangler. It allows for playback control, time control and decimate controls. Not much to say about this one, that hasn't already been said of first two, but it's also a cool sound destroyer.

SpectralMasking



The SpectralMasking effect is the final piece of the Masters Volume 1 package from Csound for Live. This time, we have a Spectral Filter tool, which you can feed any signal into. "This plugin analyzes an audiostream and filters out all of the frequencies that fall below an amplitude [sc] level you control" explains the Csound product page, as well as the ability to pan the effect to certain amounts on either side. This tool has a darkness to it. Its more than your simple filter.

Do not sleep on these tools. They are really easy to use, and a fun alternative to your standard, out-of-the-box plugins.

Tuesday, October 18, 2011

Csound for Ableton Live



Synthesis guru/computer music wizard/Berklee College of Music professor Dr. Richard Boulanger brings us the newest set of mind blowing instruments for Ableton Live and it's crossover project with Cycling 74, "Max for Live", in his new collaborative release, C-sound for Live What makes these instruments truly unique is that they bring the wide reaching power of C-sound into real-time.

Traditionally, C-sound needed to be coded (in page after page of arcane text) then compiled, giving up some of the spontaneity of making and performing music. Thanks to Dr. B and his team of crack coders, the rest of us can now take advantage of the extreme power of C-sound in the form of some very cool and expressive instruments.

A number of the instruments that are available in the C-sound for Live package are free, while some other 6-instrument packages are priced at a very reasonable $6.00. You can get the entire collection for only $50! For the power available in these instruments, this is a no-brainer.

Here are a number of excellent samples and demos made by the C-sound for Live team...

C-sound for Live demo page

Below are some videos of 1/2 of fellow Vermin Street group, Dice Motion, using and tweaking the C-sound for Live instruments...